Introduction.

Maria Giovanna Fusco, Fiorenzo Iuliano

Abstract


Collective imagination still retains a conventional idea of the Eighties as a decade of uncommitted fun and lighthearted materialism. The years of the close alliance of Reagan and Thatcher under the banner of political conservativism saw the unprecedented conflation of paranoid bigotry (e.g. the rise of televangelists in the US, the passing of Section 28 in the UK), with the explosion of hedonistic consumerism. Despite the current retrospective perception of the Eighties as the epitome of glossy aesthetics and empty opulence, writers, directors and artists in general were producing at the time much more varied and articulated speculations on and representations of the aftermaths of the counter-culture. The confrontation with loss and melancholia permeates the cultural productions of the decade and is represented with different degrees of awareness across many authors, media and genres; this issue of de genere offers contributions that reflect on the melancholia of the eighties, looking at the decade as a moment in which culture is more or less unwittingly obsessed with a sense of loss. 


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ISSN 2465-2415

 

Journal sponsored by

Dipartimento di Scienze Politiche

 

 

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Header: "Ally McBeal's Washroom". Ph. Enrica Picarelli